Re: [-empyre-] art



Just a couple quick thoughts -

Once again, interesting points, Danny - I must have missed the outburst ( or just reading/scanning too, too quickly. )

In any case, the most recent point raised re: JB ("i f Baudrillard is more popular among artists than other theory readers," ) is questionable. Perhaps the certainty of your point was articulated earlier, however, I would venture to say that is far from fact. Certainly, JB was "popular" but I see his theories( and teach ithem) within a larger schema including other theorists ( i.e. Barthes, Benjamin, Butler, & Virillo, + Williamson, Foster, Kelley, Rosler - the latter two artist/theorists. ) who popularity was similarly valued - at least in California.

Indeed, there are interesting questions embedded in the ways in which theory is taught in art schools and their channels of distribution and circulation. - as this uneasy alliance has always been perched on a rather slippery slope. This topic might possibly serve as a suggestion for a future month long discussion for empyre.

All best,

Chris



On Mar 15, 2007, at 2:31 PM, Danny Butt wrote:

Forget my last ill-advised outburst for the moment, or in french style put a line through it so we can pretend it isn't there.

The interesting question for this list (as opposed to the other ones processing JB) as I see it is: if Baudrillard is more popular among artists than other theory readers, what does this tell us about the relationship between art and theoretical production?

There are some interesting questions in there perhaps about how theory is taught in art schools, and also the channels of theory circulation.

Perhaps rather than talking about Baudrillard in the negative (wasn't captured by academia, escaped being pinned down by discipline x, never fit in) it would be possible to articulate something distinctive about the modes of circulation his work participated in and expanded - Semiotext(e) a case in point as Ken suggested earlier.

--
http://www.dannybutt.net



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Christiane Robbins


- JEITZEIT - ... the space between zero and one ... Walter Benjamin


LOS ANGELES I SAN FRANCISCO


The present age prefers the sign to the thing signified, the copy to the original, fancy to reality, the appearance to the essence for in these days illusion only is sacred, truth profane.


Ludwig Feuerbach, 1804-1872,
German Philosopher





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