Re: [-empyre-] a book, dna and code



Hi, everyone, sorry that a long and packed trip to Asia has kept me from contributing to this fascinating discusison of dna poetics. I'm particularly stimuated by the recent exchanges over poesis, relationality, and representation. Eugene will remember participating in a special issue of CTHEORY that Arthur and Marilouse Kroker edited on "Tech Flesh: The Promise and Perils of the Human Genome Project." At that time, Arthur, Marilouise, and I also produced a special issue of CTHEORY MULTIMEDIA (http://ctheorymultimedia.cornell.edu), which includes some 15 creative net.art pieces whose artistic interventions exemplify the kind of cross between aesthetics and relation that Eugene and Judity have been arguing to be constitutive of the discourse, if not practice, of genomics. I meant to call your attention to this issue a bit earlier in the month, and hope it's not too late for you to enjoy it now.

Thanks again for the fabulous discussion this month.

Tim

Quoting dean wilson <deanwilson9@gmail.com>:

 Judith wrote in a previous post:

 "... maybe all critique is ethics, but it is precisely this
 collapse that I resist at least by pointing it out."

 We could start with that and then add to it, perhaps. Dean



...how about:

Critique, like ethics, presupposes relation (or, perhaps, relationality).

But the disjunction between them relies on the quality of relation. For
instance, is 'relation' for critique a relation of opposition, distancing,
sublimation, etc.? Likewise, is 'relation' for ethics a relation of alterity,
'facing,' standing aside, acting against or acting with, etc.?

Relation is this sense is really correlation (that is, two terms that are
distinct but inseparable).

Relation, as presupposed by critique and ethics, is also the conjunction between
critique and ethics.


(add something here about James Watson as Zeus wielding a double helix...)

(...con't...)

-Eugene

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--
Timothy Murray
Professor of Comparative Literature and English
Director of Graduate Studies in Film and Video
Curator, The Rose Goldsen Archive of New Media Art, Cornell Library
http://goldsen.library.cornell.edu
285 Goldwin Smith Hall
Cornell University
Ithaca, New York  14853

office: 607-255-4086
e-mail: tcm1@cornell.edu







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