[-empyre-] game creation is game deconstruction

[Jason Nelson]

All,
   
  Before the month is up. I do want to bring up the topic of game creation or 
  roughly put:  how does an artist (or scholar, meaning why cant game interfaces
  be used for scholarly work?) create an art game?  what are others experiences?
   
  where are some good resources in terms of advice, personal narratives, code, oh yeah
  and code, where can we find more lovely game code?
   
  but most importantly...how is the process different?   where does the future live for the
  art game creator?
   
  cheers, Jason
   
  

Melanie Swalwell <melanie.swalwell at googlemail.com> wrote:
  Hi Ilias, and thanks for your thoughtful post.

Your comments make me think of private collectors. I have found it
intriguing to collaborate with collectors of games in recent years.
Often collectors have been pathologised in popular discourse (*why*
would they want to do *that*?)... but I find the activity deeply
interesting. Those I have worked with are far sighted people, who
work out of genuine interest in, and valuing and love of, these
artefacts.

I think quite often of Walter Benjamin's claim that while 'public
collections may be less objectionable socially and more useful
academically than private collections, the objects get their due only
in the latter'. Benjamin was a keen collector of books.

In another essay, he juxtaposes the attentions of the art lover and
the reviewer, directing us to the attention received by these objects
by those who have a passion for them:

'
the paid reviewer, manipulating paintings in the dealer's exhibition
room, knows more important if not better things about them than the
art lover viewing them in the gallery window. The warmth of the
subject is communicated to him, stirs sentient springs. What, in the
end, makes advertisements so superior to criticism? Not what the
moving red neon sign says – but the fiery pool reflecting it in the
asphalt.'

Digital games are not books that can just sit on collectors' shelves
for very long periods of time, being sometimes taken down and looked
at lovingly. Institutions will have a role, I think, in the
multidisciplinary challenge of making these complex objects work. I
think that digital games have a similar mimetic charge to the neon
advertisements of which Benjamin wrote -- that they will continue to
stir the senses of those who play them, who will not only be those who
"know important things" about them.

Melanie
_______________________________________________
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