[-empyre-] OSW: open source writing in the network
Dmytri Kleiner
dk at trick.ca
Sat Jan 14 00:47:57 EST 2012
On 12.01.2012 21:58, Rob Myers wrote:
> On 12/01/12 15:04, Dmytri Kleiner wrote:
>>
>> Second, culture work is a form of production, and as such, it must,
>> at
>> minimum, provide the subsistence of their culture workers. As
>> capital
>> will not finance open works, how are the creators of such works to
>> sustain themselves?
>
> The same way they do now, largely unsupported by capital.
And what of all the workers who currently are supported by capital?
Unemployment? Pretty harsh outcome for the vast majority of employed
cultural workers if capitalism remains, and thus unemployment is a
gateway to destitution.
Is that what we want? Fewer people to be paid for cultural production?
> So there is no reason why free culture should be
> mostly funded by the culture industry. With large corporate clients,
> I've had more luck with the non-cultural than the cultural ones in
> getting free culture projects completed.
Here comes that scale issue again. Sure some us can do as say, most
workers can't.
The fact remains that capital is for the most part a consumer of
software, and a producer of capital. Thus capital will not support free
culture on the same scale it supports free software.
Depending on the non-cultural capitalist sector to become the primary
financer of culture implies a massive descaling. This is very different
from software, where the non-software-licence-selling sector has always
been the largest user of software and the largest employer of software
developers.
There are plenty of exceptions, but in most cases, software is an input
to capital, while culture is an output. The price of inputs reduces the
profits of Capital, while control of the output generates the profits.
Best,
--
Dmytri Kleiner
http://www.trick.ca
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